![]() If you think that ipads aren't the next "instrument" to enter the world of music production, check out this interesting fact about Audiobus (the app that has really allowed this shift to gain traction). ![]() If you are interested in joining this shift into the world of ios music production, here are some things you need to know and some links to some useful sites for more information and further resources. My current sampling/live-sampling rig which fits in a backpack ![]() Roland sp404sx - focusrite scarlett 2i2 - powered usb hub - ipad 2 - akai mpk mini The output of the effects chain (distion/phaser/flanger), and the output of the synth (v400), went into a roland re-301 chorus echo tape delay with sound-on-sound looping capability - the stereo out from the 301 went into a furman pq6 stereo parametric equalizer and then into two polytone mini brute amplifiers on stage I used to drag it around New York stuffed into the back seat of a checker cab, and all of this gear was stuffed inside the big black box.Ī transducer pickup in the mouthpiece of the trombone went into a boss ge10 equalizer (to remove all harmonics), which went into a korg pitch to voltage converter, which controlled an sms voice400 synthesizerĪ small dynamic microphone inside the bell of the horn went into an mxr distortion+, mutron 2 phaser, ada flanger In contrast, my Electric Trombone/Synthesizer rig from 1981 which fit in a case that looked allot like this. My current LapSteel performance rig (minus the guitar) fits in a Pelican 1510 carryon case. Pigtronix infinity - zoom ms70cdr - boss dd20 - fulltone ocd - dod fx17 - bat ritual/pharaoh - ehx slammi - modified national lapsteel Horns sessions, that started me on this life long love affair, using electronics in music, especially with acoustic instruments. It was in fact a chance encounter with an ARP 2600, during a break on one of those L.A. while in my early 20's, hearing the old timers hanging out at the union hall (local 47), talking about how these synthesizers were going to put us all out of work. I remember as a studio trombonist in L.A. More than ever we are experiencing how fast technology is changing and changing everything around us. This also got me thinking about how much technology has changed music - music creation and even the concept of what a musical instrument is. The shift from laptops to ipads started (for me anyway), in the fall of 2012 and if you take a look around, you will see that a shift is indeed well underway.ĪRP 2600 : I met this big box of magic in 1973 This got me thinking about all of the shifts that I have witnessed in music production : from hardware to computers - from computers to laptops and now from laptops to ipads. Last month my good friend DJ Ultraviolet was at the house for dinner and we were talking about the possibility of putting together a beat based project using ipads as the main instrumernts - we had played together before in a laptops & turntables trio with CK Barlow called The Useless Eaters - now he was interested in moving to an ipad rig. nothing in the digital domain has a shelf life The free "TwistedWave Recorder" application is the same as "TwistedWave Audio Editor", but with the editing and extra export functions available through in-app purchases.Traveling with Electronics : An iOS Update & The Digital Dilemma Browser access to allow downloading and uploading files from/to TwistedWave. Send an audio file to another application, Use AudioCopy/Paste to share audio with other applications, Import and export files from/to Dropbox and Box.com, Import/export audio with iTunes file sharing, WAV, AIFF, CAF, AAC, MP3 and FLAC audio support, Record audio from other applications using Audiobus.ĭifferent file formats and exporting options are available to share your audio: Apply effects, such as fade in/out, delay, compressor/limiter, pitch shifting/time stretching, amplify or normalize the audio to a given level, filter to adjust the level of the low or high frequencies, A very easy to use audio editor and recorder.
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